The February 2015 issue of The Writer’s Chronicle features Grace Cavalieri’s “The Last Word: The Poet and the Poem from The Library of Congress, Poets Laureate on Public Radio, 1977-2014.” In her piece, she quotes Louise Gluck who held…
chapbook
The Writer’s Chronicle September 2014 issue features Debra Spark’s mediation on research and writing fiction. She writes, “In life, you only get to be one person. You only get to go where you go, and do what you do.…
The Writer’s Chronicle September 2014 issue features Debra Spark’s mediation on research and writing fiction to consider when research overwhelms a work and when research enhances the story the author is seeking to tell. She writes, “you always need…
the chapbook interview: Sarah A. Chavez on craft, revision, the job market, and chapbook advocacy
The Writer’s Chronicle September 2014 issue features Debra Spark’s mediation on research and writing. In her essay she quotes Lorrie Moore who said, “For the writer, the facts of life are like ingredients in a kitchen cupboard…the cake you…
Let’s begin with your (poetic) origin story. Start with family. I am fortunate enough to come from a family of readers, writers, storytellers. One of those families with bookshelves in every room. My parents read and read to my…
“a chapbook evangelist”: the chapbook interview: Allyson Whipple on feminism, festivals, and freewriting for ekphrasis
At the Midwestern mythmaking panel at the Omaha Lit Fest, panelists discussed how their characters and stories are influenced by the landscape. One of the panelists, Karen Shoemaker, noted that though great books are written about Nebraska every few…
The myth of Demeter and Persephone is such a rich story to retell, a task taken up by other poets such as Louise Gluck, Alicia Ostriker, Rita Dove, and others. Talk about your interests in myth and why the…
Petals as an Offering in Darkness, your newest chapbook from Finishing Line Press, opens with “Entreaty”, an evocative, startling first poem. It gave me pleasurable chills to read it—my own personal mark of an exceptional poem. In her contribution…
Darling Hands, Darling Tongue (Hyacinth Girl Press, 2013) is a retelling that explores aspects of Peter Pan by giving voice to Wendy, Tiger Lily, and Tinker Bell. Why retell women’s stories? What is your process when writing poems based on…
How did your collaborative chapbook begin? Juliet Cook – My memory issues might be warped, but my recollection remembers me posting tortured Saint photos on my facebook page and then Robert Cole suddenly emailing me, asking if I might…